It all starts with a pen (1998, 1999)

When I was at school I got so fascinated by an edition of Aesop’s fables for kids to the point I started creating my own ones. My life from that day has been a continuous, playful experimentation with words.

In 2001 a Literature teacher read one of my short stories and strongly encouraged me to never quit writing. And I haven’t stopped since.

For years I worked as a freelance journalist, and in 2017 I decided I’d focus on writing and helping other writers by becoming a professional proofreader and a publisher’s reader qualified to analyse drafts.

I’m fiercely proud of being 95% self-taught (the 5% comes from writing workshops: Sarah Babiker, Gloria Fortún), and my goal is learning how to use my voice as it comes from within. Technique-wise I usually just stick to two rules: be honest with my feelings and trust my intuition when I have a hunch but I’m struggling with the structure.

I love wild voices, and an essay by Clara Janés triggered my favourite subject ever: What does ‘writing like a women’ mean. I have been nurturing that obsession during the recent years and that’s why I read female authors by default.

My first book was a poetical experiment (get your copy here) released in 2020 and I’m currently working on the draft of my first novel, but this is a sine die project. In the meantime I read to trace the ingredients of the good narrative—that’s what we all are at the end, stories and nothing else.